At
9:30, when everyone else has gone home for the day, I sit at my office desk and
unzip the side pocket of my black man-satchel, where I keep my less scrupulous effects:
an eighth of marijuana, my bowl, a pack of cigarettes, a lighter, my half-full flask
(featuring Captain Morgan’s spiced rum), Prozac, and Adderall.
I twist off the child-proof lid to my
Adderall bottle (they call them “Amphetamine Salts”), remove a 20-mg peach-colored
pill, and put it on my desk. Then I place the bottom of the pill bottle over
the pill, make a fist with my right hand, and come down on it hard. It crumbles
under the force of the blow. I pull from my wallet my Vermont-issued driver’s
license, press it down on the chunks of amphetamines, and twist it back and
forth until the grains constitute a fine powder before using my driver’s
license to shepherd the powder into a fine line. I peel a sheet off the pink sticky-note
pad on my desk and roll it into a tube, adhering it to itself. Leaning over the
powder, I put the tube of paper in my right nostril, put a finger over my left,
and track the line as I snort the powder. It tickles and itches like maggots in
an open wound. Within seconds, I’m light-headed.
I wouldn’t recommend snorting amphetamines
for everyone, but it’s always worked for me.
I’ve been using it to an unprecedented extent
for the last three days, staying awake and reading, writing, and playing online
poker. Whenever I feel my eyelids
getting heavy, I pull out another pill and in my nose it goes.
I collect the film of powder that remains on
my desk with my index finger and place it inside my bottom lip. My lip tingles.
I put the bottle away and take out the bowl,
the lighter, and the eighth of weed. Then I open the window and the door to my
office and I turn on the fan, as I have little interest in setting off the
smoke detector. I pack a bowl and take a hit.
And another, pulling deep and holding it half a minute. Tilting my head back, I do “The Dragon,” exhaling two streams of
smoke through my nostrils. I do this again.
And again, and again.
Enough for now—everything in
moderation, I remind myself.
I put the still-smoking bowl down on my desk
and it slowly extinguishes.
Opening a new browser, I go to my Google calendar. A little math informs me that today is the
fortieth since my close friend since childhood, Tommy, was killed in Iraq. Pulling out my flask, I take a shot in his
honor. Then I switch over to Google Reader. Scanning my subscription
list, I see that there are a few new neuroscience articles: Prozac and
neurogenesis, space-time synesthesia, and a story on attempts to give goddamn Jesus
H. Christ a Meyers-Briggs Type Indicator (MBTI) personality profile. The article’s conclusion is that his
personality was too complex to label with any of the sixteen options.
I finish my bowl, then pack and smoke another
before reading an article on the heightened pain tolerance in patients with
Borderline Personality Disorder (BPD) and another on Joshua Norton, the mad “Emperor of the United States and Defender of
Mexico.”
My reading material over the last few days
has gravitated towards articles and essays on two subjects in particular: the
“technological singularity” and secret societies (In particular, I’m reading
about the Freemasons—I just have to know: What the hell is it that they
actually do these days? Are they still
the international political force from which their reputation is derived?).
The technological singularity—the notion of
exponentially developing emergent technologies and the emergence of some kind
of superintelligence causing a paradigm shift in human experience—fascinates me
especially, as does the concept of intelligence itself. I’ve been feeling maybe
a little grandiose with regards to my own intelligence over the last few weeks;
I don’t much like myself, but I do like my intelligence. It’s what people tend to notice first when
they meet me, and I’ve been noticing them noticing it more and more over the
last month or so while I’ve been ramping up—my thoughts are racing, racing
faster and faster, and I feel better, smarter, more capable than I’ve ever felt
before. It’s probably got something to
do with the Adderall. Maybe it’s
rewiring my mind. Or maybe my
self-perception has been distorted by all the weed I’ve been smoking, but I
choose to reject that possibility.
As the weed continues to kick in, I realize
that I’ve lost track of the time. I check the display on my monitor: 10:25. There’s
still enough time to make the 11:00 train and avoid having to walk the three
miles back to my apartment in Somerville. I finish the bowl and put it, the
lighter, the bag of weed, and my bottle of Adderall back into the black satchel,
then throw on my red college hoodie.
Two years ago, I graduated early with a
respectable 3.22 GPA, but my parents, my professors, and I all knew how little
work I’d done, how little time I’d left myself to write papers before their
deadlines, and that I spent more time drunk or high than I did on my studies. I
only started taking Prozac for my OCD as a sophomore, and I wasn’t put on
Adderall until the summer after my college graduation. But, I think, even if I’d
been on both from the beginning, I’d still have been eccentric, I’d still have
done drugs, and I’d still have this nagging feeling that I’m not quite alright.
I go out into the hall and make a trip to the
bathroom. After taking a leak I wash my hands, then glance
briefly at my tired reflection in the mirror. The young man I see is gaunt, with high and
hard cheekbones, dirty blond hair, sideburns that come down all the way down to
the corner of his short mustache, and big brown, dilated eyes, the whites of
which are red.
Back in the office, I check the monitor
display again: 10:50. Time to get going.
I think about the hour, the darkness, and the
walk, and I get a little paranoid: it’s late, the subway will be mostly
empty—providing an ideal time for criminals to do their nefarious things—and
then there’s the walk from the station back to my apartment. What to
do?
I think of ways to protect myself, things to
use for defense. There’s a black metal
shaft from a broken microphone stand in the corner behind my desk. I take it and, thinking about how to conceal
it, come up with an idea. I’ll tape the
rod to my leg in two places. I find the
masking tape and jerry-rig the tape job so that I can slide it out easily. Then I roll my pant-leg down over the
apparatus and pack up to leave.
Outside, I take the coiled ear buds out of my
pocket and plug them into the little red IPod Shuffle clasped onto one of my
belt loops with my one hand and put the ear buds in with the other. I hit play,
and Neighborhood # 2 (Laika), by
Arcade Fire picks up where I’d left off before, with the line: “Our mother should have just name you
Laika!”
I skip back to start over from the beginning.
The song always affects me on a personal level—what gets me is the idea of an
innocent dog sent up into space in an experiment for the furthering of mankind’s
obsession with space travel. Laika’s sent off so that we might learn whether
life in a manned spacecraft is viable.
But her survival is of no import to the heartless scientists: with
neither food nor a plan for return, the dog’s fate is known from the start. There’s
something of me in it, something of my life, but it’s something I can’t quite
put words to. All I know is that I am Laika.
Down at the subway platform, I hear the low
rattling and creaking of an approaching subway car. As it groans into the
station, I gaze through the nearly empty and decreasingly blurry cars. I think
of Heisenberg’s uncertainty principle.
The train slows to a stop and the doors open.
I enter through the nearest ones and sit in the closest seat on the left,
across from a young couple and a few seats down from a homeless man sleeping
with his chin on his chest. The couple looks at me and then they look away. People
always look away. And I don’t know why.
As the doors close and the train begins to
roll, I notice a pungent odor in the car. It smells like urine, and it seems to
originate at the homeless man. Making a valiant effort to ignore the smell, I
open the main compartment of my man-satchel and pull out my copy of Hesse’s Siddhartha. I open to the bookmarked
page and begin reading, but before long start to feel drowsy. The amphetamines are
still in my system, I can feel them, but
the weed is taking over. Before the first stop, I’m already asleep.
***
I come to when a station worker gently nudges
my shoulder. I glance around the car. The couple is gone. The homeless man is
gone, too, but he’s left behind the smell of piss. He must not have heard the PA system’s reminder to not forget your belongings.
Realizing that I’m at the end of the line, I ask
when the next inbound train leaves. The man shakes his head and says that the
last train has already left. It’ll start
running again at 5:00.
I thank him and leave the car. I take the
escalator up to ground level and study the map on a wall to get my bearings.
A heavy mist shrouds the streets outside. I can’t
see more than twenty feet ahead of me. My
ears begin to ring softly but constantly and I wonder if maybe it has something
to do with the weather. I start down the street that looks about right on the
map, but soon it curves to the right and out of sight towards God knows where. I turn onto a street that feels right, look
up and, seeing that the night sky is completely obscured by adark and heavy
haze, realize that I won’t be able to count on the stars as reference points. And
weed is not a navigational boon. Who
knew?
The road soon forces a choice: Do I continue
along the path I’ve followed, or do I veer off onto the grassy path to the
left? I choose the latter. As I walk,
the metal pipe begins to chafe against my leg.
Just ahead, a white squirrel untangles itself
from the brush to the right of the path, turns its head sideways, perhaps
curious, and then freezes, staring at me. I stop walking, intuition telling me
that there’s something wrong with this squirrel. I see what looks like a bulge of fat
protruding from its belly.
My mind races. There is something else uncanny
about this squirrel. Though frozen and fixated, it isn’t even remotely anxious
or fearful. Aren’t squirrels supposed to
be afraid of people? I walk over to it, and even then it shows no sign of fear.
Is it just sick? Injured? I nudge it
with my foot, and only then does it meander back across the grass and disappear
into the brush. I continue down the road, puzzled. Squirrels aren’t supposed to
act this way. Does it have rabies? And what the hell is with that bulge?
Around a bend, the road opens up onto a
large, empty parking lot surrounded by big rectangular buildings. At the top of
the largest building, a neon blue sign reads “Pfizer.” I’ve wandered into a
pharmaceutical industrial park.
I start off across the parking lot, thinking
that I just might be able to find a main road on the other side. But no such
luck. Worse, the metal pipe is really harassing my leg now, and I feel a
wetness trickling down my leg. Past the
other end of the parking lot is a road, and on that road there is a bus stop. I head that way to see whether there’s a
late-night bus service. There
isn’t. My leg is really starting to hurt
now, so I pull up my pant-leg and see a trail of blood rolling down my shin and
into my sock. To stop the blood, I pull
a few tissues out of my man-satchel and press them against the wound and hold
them there for a few minutes. Once the
bleeding’s stopped, I remove the tissues and examine them.
It might be the weed, but the thought crosses
my mind that maybe my arrival at Pfizer means something; maybe the bleeding
does too. And my next thought? Pfizer must need my blood. There’s something special about it, something
that they need. So, Good Samaritan that
I am, I leave the bloody tissues on the bench to give them a free sample. But
more’ll cost ‘em.
I continue down the street and happen upon a
y-intesection. Left, and it runs around
a bend and disappears into the woods; right, and it goes straight. In the distance, along the branch to the
right, I see the florescent glow of streetlamps. So I choose right. As I
approach the streetlamps, an intersecting road beyond them comes into view.
Walking under the streetlamps, I hear them
make the whirring sound they sometimes do and I feel the sensation of being
watched. Directly under the lamps the noise is loud—louder than I remember
having heard it on previous such occasions, and my hairs shoots up on end.
I hear a car changing gears, and the sound of
the engine grows louder. A black Mercedes coupe passes through the intersection
ahead, its headlights shining brightly, throwing its light across a sign: a
capital “T” surrounded by a circle, and the words “Alewife Station” printed
underneath. I’m relieved to see the familiar “T” symbol—soon I’ll be someplace
recognizable. The coupe slows down as I approach, and now I know something’s
wrong. Looking at the passenger’s
window, I see only black tinted glass and my reflection in it, my earring
shimmering under the light of a streetlamp.
When I get a little closer, the coupe rolls off down the road, providing
a hint of relief.
After about ten minutes I see another sign
for Alewife Station. Then there’s one for the bike path between Alewife and
Davis stations. I look at my watch. 2:00 am. Damn, it’s late. But it’s too early too. I’ll have to wait four hours
for the first train to Davis, but I can be there within half an hour if I take
the bike path.
I have some steam left—thanks to the Adderall—and
decide to walk it. Arriving back at Alewife, I follow the signs to the winding
bike path just behind the parking lot. The path is flanked by fields of high
grass held in by chain-linked fences on both sides. It reminds me a little of
the corn “maizes” back in Vermont—they’re tourist traps, to be sure, but there’s
a certain appeal to those labyrinths, and I’ve returned to one in particular
every few years since childhood. They change the pattern every year, but
there’s always a bell tower near the middle, providing a reference point for
travelers, much as a lighthouse provides one for seafarers. There’s usually a
very simple, efficient route to the end of the maze, but it almost never becomes
evident until after you’ve made it through to the other side and picked up a
map to trace your travails.
Soon, the chain-linked fences and grass give
way to suburban Cambridge. The path crosses a road, and then another—they’re busy
roads by day, but tonight there is only a single car idling with its headlights
on. The path dips into a narrow, wooded area and, as I continue, I look into
the back yards of the nearest inhabitants. I wonder whether my glimpses into
their lives provide any relevant insight about their neuroses and quirks. Here,
for example, I see a back porch with its back vertical panel remove; the
consequent opening is filled with tires—maybe fifty or sixty—and the tires are
surrounded by a ring of traffic cones. I wonder, what do the details of their lives say about them? Obviously, they’re hoarders. But why the tires and traffic cones? Noticing
a rocking chair on the back porch, I wonder, who sits there? I slowly pass the yard, speculating about the
people who live there.
Before long I reach Davis Square. From there,
my apartment is only a four-minute walk. But thinking about how close I am only
makes me more tired.
***
As I unlock the back door, I can feel my
eyelids beginning to droop. I push open the door and walk into the dark
entryway. I close the door and the last remnants of light disappear. I lock the door. Hands outstretched, I feel around for the
banister and then, finding it, stumble up the stairs to the second floor
landing. For a moment I feel the urge to go back and check that the door is
locked, but the urge passes. Fuck you,
OCD. I know it’s locked.
I look down the hall. My roommates’ lights are
off and their doors closed. Mine is
open. I reach around the frame and flip
the switch, casting light on the clothes, half-empty vitamin water bottles,
DVDs, half-unpacked boxes, and unquantifiable quantities of cigarette and
marijuana ash. I take off my satchel,
kick off my shoes, and pack one last bowl before bed. I only manage two hits
before passing out with my bowl on my chest.
You ability to express the illness is very good. I felt like that could have been me several years ago. Your writing is good to the point of feeling like it couldn't happen, hell I would have been to self consumed with information learned that day to know anything about my surroundings. I wish I could write like that. But I have a different bipolar power. :)
ReplyDelete:) Nice
ReplyDeleteVery good, but too much use of "I". Just plain old deleting them will work in most instances. It will read just as well without them, but it's very good.
ReplyDeleteI just noticed the significance of the background...
ReplyDelete